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Julien Sorel, the ambitious son of a carpenter in the fictional village of Verrières, in Franche-Comté, France, would rather read and daydream about the glorious victories of Napoleon's long-disbanded army than work his father’s timber business with his brothers, who beat him for his intellectual affectations.

He becomes an acolyte of the abbé Chélan, the local Catholic prelate, who secures him a job tutoring the children of Monsieur de Rênal, the mayor of Verrières.

In The Vicar of Wakefield, "the happy few" refers ironically to the small number of people who read the title character's obscure and pedantic treatise on monogamy.

In two volumes, The Red and the Black: A Chronicle of the 19th Century tells the story of Julien Sorel’s life in France's rigid social structure restored after the disruptions of the French Revolution and the reign of Emperor Napoleon.

The first chapter of each volume repeats the title Le Rouge et le Noir and the Chronique de 1830 sub-title.

The initially cynical seminary director, the abbé Pirard likes Julien and becomes his protector.

Despite his moving among high society and his intellectual talents, the family and their friends condescend to Julien for being an uncouth plebeian.

The Marquis de la Mole takes Julien to a secret meeting, then despatches him on a dangerous mission to communicate a letter (Julien has it memorised) to the Duc d'Angouleme, who is exiled in England; however, the callow Julien is mentally distracted by an unsatisfying love affair, and thus only learns the message by rote, missing its political significance as a legitimist plot.

Her undiminished love for Julien, his imperiously intellectual nature, and its component romantic exhibitionism, render Mathilde’s prison visits to him a duty.

When Julien learns he did not kill Madame de Rênal, his genuine love for her is resurrected — having lain dormant throughout his Parisian time — and she continues to visit him in jail.

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